2014a Though This Be Madness, Rosettabooks: New York. Kindle Single electronically published on Amazon.

2014b Id-Ego-Superego: Art from the Living Museum at Creedmoor Psychiatric Center,exhibition catalogue essay.
Center for Modern Psychoanalytic Studies, New York.

2012 Die Aussenseiterin: Marilyn hinter der Maske, Amazon Crossing. Electronically
published on German language Kindle Store, Amazon.de

2011 The Misfit. Rosetta Books: New York. Kindle Single   electronically published on Amazon.

2009a The Unconscious Motivation to Become a Murderer in Camus’ ‘The Stranger’,
Journal of the Albert Camus Society. London: UK

2009b CMPS 2009 Annual Fall Scientific Conference, The Analyst, Vol. XVIII, No. 1.

2008 The Life and Death of the Unconscious in Modern and Contemporary Art,
Modern Psychoanalysis, Vol. 33 No. 1 pp. 128-141.

2007 The Soul, the Mind and the Psychoanalyst: The Creation of the
Psychoanalytic Setting in Patients with Psychotic Aspects
,( review)
Modern Psychoanalysis, Vol. 32 No. 1.

2006 The Life and Death of the Unconscious in Modern and Contemporary Art,
Art Criticism, Vol.20, No.2.

2005 The Case Study and Psychoanalytic Education , co-authored with Nigel Mackay.
Modern Psychoanalysis, Spring, 2005.

2002a Finding a Shape: The Creation of Psychic Structure in a Psychoanalytic Setting,
Modern Psychoanalysis, Vol .27, No.2.

2002b Ordinary People and ExtraOrdinary Protections: A PostKleinian Approach to
the Treatment of Primitive Mental States
by Judith L. Mitrani (review)
Modern Psychoanalysis, Vol. 27 No. 1.

2000 The Unconscious Motivation to Become a Murderer in Camus’ ‘The Stranger’
Modern Psychoanalysis, Vol.25, No. 2.

1997 The Talking Cure,(review) Modern Psychoanalysis, Vol. 22, No. 2.

1994 Art and Psychoanalysis ,(review) Modern Psychoanalysis, Vol.19, No.1.

1991 Masters of the Arctic , GRAPHIS, December.

1989a Other People’s Myths, Art and Artists, Vol. 18, No. 4.

1989b Masterpieces of Latin American Art , Latin American Art.

1985 The AntiAesthetic, Essays on Postmodern Culture, Art and Artists, Vol.14, No.4.

1984 The Fugitive Image , catalogue essay, Association pour un Muse√© d’Art Moderne,
Galerie Erich Franck, Geneva, Switzerland.

1983a Teleconferencing, Computers, and Art , All Area, No.2.

1983b Picturing Things in the Event of Change, Lawrence Oliver Gallery, Philadelphia.

1980 Rebecca Horn’s ‘Der Eintanzer‘, Arts Magazine, January.

1979a William Childress, ‘The Ghost in the Machine’, program notes,
Whitney Museum of American Art, Department of Film and Video, November 1979

1979b Structure, Flash Art No.867, Milan Italy.